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On the Patterns and Decorations of the Chinese Bronze The next are the patterns and decorations. In view of the motif, the decorations of Chinese bronze in the early Warring States were the world of water dragon, coiled dragon or pan dragon as usual. The bell with a dragon knob in the number 1 tomb of Sahngbiao Town and the chime-bells from the tomb of Marquis Yi of the Zeng State in the Suizhou are all adorned with innovative and intricate patterns of water dragon. The patterns of an immortal riding on a dragon in the chime-bells in the number 2 tomb in Suizhou are another composition of the picture. Another alternation is the increased distortions of images. A dou (a food container) in Shanbiao Town has the combination of dots and small wings as its motif that in fact are the omission and deformation of the water dragon; the intensive circular patterns on the loop hu and mirror in the same tomb are the metamorphosis of the old pan dragon and animal head pattern. On the chime-bells in the Marquis Yi of the Zeng State, the water dragon pattern has already became the ones shaped like grown with the caltrop. This type of bronze sculpture has appeared in the late Spring and Autumn and much developed in the early Warring States Period. One more change is the emergence of the pure geometric decoration motif which was scarce in the later Spring and Autumn and simple at the same time. There were lots of paintings depicting wars on land and in the water, feasts and banquets, mulberry leaf harvest and other activities in the early Warring States. The mirror, fang and hu in the number 1tomb of Shanbiao Town are the examples. They are all typical at that era. The third is the features of the inscriptions of Chinese bronze statue. There are no prominent differences between the inscriptions in Early Spring and Autumn and Warring States. Only the Chinese bronze sculptures serve as noting the events became less. The inscriptions on the bell to memory the merits and record the temperament of the music on the chime-bells are unique, which is not universal. 2. The Middle and Late Period, the middle period of the 4th century BC ~ 221 BC The chinese bronze in the feudal society developed from the late Spring and Autumn Warring States to the very peak and then gradually declined after the mid-Warring States, but on the whole, it does not exclude a small number of fine bronze sculptures. Even the large Chinese bronze in the graves of the feudal lords, the casting process and artistic decorations are far away from the ones in the early Spring and Autumn and Warring States. Since the developments of bronze sculptures in the middle and later Warring States are not obvious in difference, we will discuss them in one small chapter. Shanxi Changzhi watershed No. 12 and 25 tomb and Zhaogu No. 1 tomb in Hui County of Henan, and the king of Zhongshan tomb in Hebei Hirayama are concentrated in the Chinese bronze. The groups of bronzes unearthed in the King of Chu tomb in the Shouxian county, Anhui province in the 1920s and the ones in the Jincun village of Luoyang are essential tombs in the archaeological excavations. The one that can stand for the bronze dragons of the middle Warring States Period will be headed by the ones found in the tomb of King of Zhongshan. related bronze: chinese bronze
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